Performers
Violin: Felipe Rodriguez and Pablo Suárez
Viola: Ivan Martin
Cello: Stanislas Kim and Carlos Sanchez
PROGRAMME
Schubert Quintet
The String Quintet in C Major is a masterpiece, not only of chamber music, but of all time. Composed for two violins, viola, and two cellos, it dates from 1828, the last year in the Viennese genius’ short life. He never heard it performed in concert. Unusually long at 60 minutes, the quintet exudes an aura of serene, autumnal contemplation. Its rich harmonic depth and the unique sound brought by the two cellos make it a one-of-a-kind piece.
See programme
Performers
Violin: Anne Marie North and Alexandra Krivobodorov
Viola: Blanca Esteban
Cello: Nuria Majuelo
Harp: Camille Levecque
Clarinet: Victor Díaz
Flute: María José Muñoz
PROGRAMME
A Miscellany of Sounds
In Mannheim in 1777, amateur flautist Ferdinand De Jean offered Mozart 200 gulden to write “three short and simple concertos and a few flute quartets.” The composer accepted the commission and wrote the quartet that inaugurates this concert. In one of his letters, Mozart confessed that he hated the sound of the flute. However, no one would believe him after listening to the lovely passages he has devoted to this instrument. He held the clarinet is higher regard, the star of the second quartet and one of his most well-known chamber works. Next comes the violin and harp’s turn, with Camille Saint-Saëns’ fantaisie (1907). The French musician shows us how instruments can complement one another in different ways as the piece moves forward. The programme closes with the work of another Frenchman, Maurice Ravel (1905), who brings all the previous instruments together, thus concluding our acoustic smorgasbord.
Programme
Performers
Trumpet: Germán Asensi and César Asensi
French horn: Anaís Romero
Trombone: Juan San Juan
Tuba: Josep Gómez
PROGRAMME
G FARNABY. The Old Spagnoletta
Performers
Soprano: Mercedes Lario
Alto: Sonia Gancedo
Tenor: Gabriel Arce
Baritone: Fabio Barrutia
Piano: Karina Azizova
Piano: José Segovia
Programme
BRAHMS. O Schöne Nacht, Op. 92
BRAHMS. Drei Quartette, Op. 64
BRAHMS. Ballade, Op. 118
BRAHMS. Liebeslieder Walze, Op. 52
Delicatessen by Brahms
Johannes Brahms is well-known for his vast catalogue of vocal music, ranging from lieder (songs) to large-scale choral pieces. Completed in 1884, his Opus 92 is an astonishing collection of songs inspired by poems from Goethe, Daumer, Allmers, and Hebbel. We will be hearing O schöne Nacht in this series. It describes a peaceful, starry night, while a young man goes to meet his lover, repeating: “Oh, what a beautiful evening!” Following is Drei Quartette Op 64, from 1874, which consists of three songs whose topics revolve around nostalgia for the homeland, nature, and love. Other exquisite creations by Brahms complete the concert. Exceptional pieces to conclude this selection.
Performers
Sopranos: María Jesús Prieto and Victoria Marchante.
Mezzo-soprano: Isabel Egea and Julieta Navarro
Tenors: Igor Peral and Diego Neira
Basses: Fabio Barrutia and David Rubiera
Piano: Javier Carmena, piano
PROGRAMME
CHUECA. Pasacalle (Cádiz)
CHUECA. Dúo, sevillanas y caleseras (Cádiz)
GUERRERO. Pasacalle de la escalera (La rosa del azafrán)
GUERRERO. Tango milonga (La montería)
MORENO TORROBA. Chotis del café (María Manuela).
ALONSO. Pasodoble de las horchateras (La de los ojos en blanco)
MORENO TORROBA. Mazurca (La Chulapona)
MORENO TORROBA. Pasodoble de la maestra (La Chulapona)
ALONSO. ¡Arrímate! (24 horas mintiendo)
GUERRERO. Fox trot (Los gavilanes)
GUERRERO. Rondalla de estudiantes (El canastillo de fresas)
ALONSO. La Colasa -tabaco y cerillas- (Las de Villadiego)
ALONSO. Marchiña (24 horas mintiendo).
ALONSO. Chotis (Rosa “la pantalonera”)
ALONSO. Serenata (La linda tapada)
ALONSO. Caleseras (La Calesera)
Long Live Zarzuela!
Once again this year, the Chamber Music Series’ traditional Zarzuela concert offers an exceptional opportunity to savour the most well-known serenatas, pasacalles, rondas, and chotis in our theatre genre par excellence. This year, we are doing so with composers like Jacinto Guerrero, Francisco Alonso, and Federico Moreno Torroba, with the most Castilian titles in their repertoire.
26 de enero de 2025
Reserva de plazas (próximamente)
4€
Próximamente